From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d

by Gustave Dore


Order as handmade oil painting

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore

[locked]

Information

Description
English: "The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d" oil on Canvas, location: Private collection.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Location

Private collection

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: “Say to what pain ye come Condemn’d, who down this steep have journied?” - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. - Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. - Gustave Dore
The Inferno, Canto 15, lines 28-29: “Sir! Brunetto! And art thou here?” - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe! - Gustave Dore
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe! - Gustave Dore
[locked]

Related Paintings

A Cavernous Landscape With A Gypsy Encampment Beyond - (after) David The Younger Teniers
The Ramparts Of A Fortified City - Georges Jules Victor Clairin
Maugis Fighting the Serpent and Gaining the Enchanted Horse - Loyset Liedet
Maugis Fighting the Serpent and Gaining the Enchanted Horse - Loyset Liedet
View on the Rhine, 1672 - Herman Saftleven
Wind River Mountains Nebraska Territory - Albert Bierstadt
Wind River Mountains Nebraska Territory - Albert Bierstadt
Traffic on the river, thought to be the Forth - William Lionel Wyllie
Traffic on the river, thought to be the Forth - William Lionel Wyllie
Near Dunkeld - Alfred de Breanski
Near Dunkeld - Alfred de Breanski
Highland Cattle On A Loch - Daniel Sherrin
Highland Cattle On A Loch - Daniel Sherrin
Torbole, Lake Garda - Peder Monsted
[locked]

US Art related news

US Open accepting portfolio submissions for 2024 US Open theme art consideration - US Open Tennis Championships
Art market: online sales worldwide 2022 - Statista
Robert Irwin Helped Us See the Light - The New York Times
DA to Students: Use Your Art to Help Us Heal This Year's Contest Focuses on Butterflies, the Victims of the Gilroy Garlic ... - Office of the District Attorney
Art Museums Are Still Making Cutbacks in Response to Financial Woes - Observer
Low wages leave US arts workers with few prospects - Art Newspaper
LA, Miami and Dallas stake their claim in the US art market - Financial Times
‘Til death do us art: Martin Museum exhibit to display married alumni’s personal collection - The Baylor Lariat
Hezbollah Sanctions Case Highlights Frailties in the Art Market - The New York Times
US Art and Culture Sector Breaks Overall Economy's Value Record - The Collector
Personal tools