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Gustave Dore

Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore
La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore

The Raven - Gustave Dore
The Raven - Gustave Dore

Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore
Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore

Andromeda - Gustave Dore
Andromeda - Gustave Dore

Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore
Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore

Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore
Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore

The Widow's Mite - Gustave Dore
The Widow's Mite - Gustave Dore

Abraham Entertains Three Strangers - Gustave Dore
Abraham Entertains Three Strangers - Gustave Dore

Alpine Scene 1865 - Gustave Dore
Alpine Scene 1865 - Gustave Dore

The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore

The Deluge - Gustave Dore
The Deluge - Gustave Dore

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore

The Fiery Furnace - Gustave Dore
The Fiery Furnace - Gustave Dore

The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore

Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore
Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore

The Inferno, Canto 7, lines 8-9:
The Inferno, Canto 7, lines 8-9: "Curs’d wolf! thy fury inward on thyself Prey, and consume thee!” - Gustave Dore

"Be none of you outrageous." (Canto XXI., line 70) - Gustave Dore

The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore

Doubting, dreaming dreams no mortal ever dared to dream before.	 - Gustave Dore
Doubting, dreaming dreams no mortal ever dared to dream before. - Gustave Dore

ANATKH - Gustave Dore
ANATKH - Gustave Dore

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore

The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore

Nymphs in a landscape - Gustave Dore
Nymphs in a landscape - Gustave Dore



Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Paintings of the day

Lucrezia, 1536 - Franz Timmermann
Lucrezia, 1536 - Franz Timmermann
Martyrdom Of St Sebastian 1849-52 - Honoré Daumier
Martyrdom Of St Sebastian 1849-52 - Honoré Daumier
A Barber, c.1855 - Amadeo Preziosi
A Barber, c.1855 - Amadeo Preziosi
Apollo Slaying The Python With A Thousand Arrows (Ovid, Met 1438-451) - Hispano-Flemish School
Apollo Slaying The Python With A Thousand Arrows (Ovid, Met 1438-451) - Hispano-Flemish School
Rockport Boats - Ferenc Martyn
Rockport Boats - Ferenc Martyn
The Siege of Blenheim or The new system of Gunning discovered - James Gillray
The Siege of Blenheim or The new system of Gunning discovered - James Gillray
The Prophets Job Isaiah Jeremiah Solomon Moses Ezekiel David and Enoch from La Salle de la Grande Audience The Audience Chamber - Matteo Giovanetti
The Prophets Job Isaiah Jeremiah Solomon Moses Ezekiel David and Enoch from La Salle de la Grande Audience The Audience Chamber - Matteo Giovanetti
Constellations of the Southern Hemisphere, from 'The Celestial Atlas, or the Harmony of the Universe' - Andreas Cellarius
Constellations of the Southern Hemisphere, from 'The Celestial Atlas, or the Harmony of the Universe' - Andreas Cellarius
Three Masted Ship in the Harbor - Eugène Boudin
Three Masted Ship in the Harbor - Eugène Boudin
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
See America First: Prints by H.C. Westermann - Smart Museum of Art, Chicago, IL, USA United States of America
Gallerist is Not Here: Solo Show by Zhou Tiehai - ShanghArt, Shanghai CN China
The Architect’s Studio: Renzo Piano - Louisiana Museum of Modern Art, Humlebæk DK
From the Inside Out: Highlights from the Rare Book Collection - Cleveland Museum of Natural History, Cleveland, OH, USA United States of America
Call for Artists: Artists Residency Programme - Aberystwyth Arts Centre, Aberystwyth UK United Kingdom
Reviving Renaissance: Paintings by Tom Kennedy - Glema Mahr Center for the Arts, Madisonville Community College, Madisonville, KY, USA United States of America
Call for Artists: 9th Celebration of Experimental Media Arts - LA Freewaves, Los Angeles, CA, USA United States of America
Call for Entries: Second Annual International Festival of Time-Based Media - University of Southern California School of Fine Arts, Los Angeles, CA, USA United States of America

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