The Harvester, from the series 'Les Brettoneries', 1889 -
Emile Bernard
Italianate Landscape with Travellers, no.1 -
Paul Sandby
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doomd -
Gustave Dore
Sun, I hail thee! Hail, O light Hail, O glorious day, illustration from Siegfried and the Twilight of the Gods, 1924 -
Arthur Rackham
Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot -
George Stubbs
The Scene on Spion Kop Major Thorneycrofts Desperate Situation -
Frank Craig
Rocky Landscape in Cornwall, with ruins of a castle in the distance -
James Bourne
The Inferno, Canto 28, lines 116-119: By the hair It bore the severd member, lantern-wise Pendent in hand, which lookd at us and said, Woes me! -
Gustave Dore
There is a dread Dragon he sojourns, And in a cave keeps watch over Alberichs ring, illustration from The Rhinegold and the Valkyrie, 1910 -
Arthur Rackham
Island of Tortosa in Syria from Views in the Ottoman Dominions 1810 -
Luigi Mayer
Convent of St. Saba, April 4th 1839, plate 51 from Volume II of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1843 -
David Roberts
The Encampment at Dadur, with the Entrance to the Bolan Pass, from 'Sketches in Afghaunistan' -
(after) Atkinson, James
The Inferno, Canto 29, lines 4-6: But Virgil rousd me: What yet gazest on? Wherefore doth fasten yet thy sight below Among the maimd and miserable shades? -
Gustave Dore