From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Widow's Mite

by Gustave Dore

The Widow
Order as handmade oil painting

The Widow's Mite - Gustave Dore

[locked]

Information

Description
English: "The Widow's Mite" oil on Canvas.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

Current Rating:
10.00 stars of max. 10
Click on the stars
to rate this painting


[locked]

Next Paintings

Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore
Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore
Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore
Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore
Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore
[locked]

Related Paintings

Portrait of Catherine Queen of Portugal wife of John III - Franz Huys
Portrait of Catherine Queen of Portugal wife of John III - Franz Huys
Misa en la ermita (Mass in the chapel) - Jose Benlliure y Gil
Misa en la ermita (Mass in the chapel) - Jose Benlliure y Gil
Distant thoughts - William Anstey Dolland
Distant thoughts - William Anstey Dolland
Mr Puffs Morning Guns - Henry Heath
Mr Puffs Morning Guns - Henry Heath
Landscape with a Rainbow, 1915 - Konstantin Andreevic Somov
Landscape with a Rainbow, 1915 - Konstantin Andreevic Somov
Langland Bay Morning 1897 - Alfred Sisley
Langland Bay Morning 1897 - Alfred Sisley
The Crucifixion - Gaudenzio Ferrari
The Crucifixion - Gaudenzio Ferrari
Head of a Peasant Woman With white Cap - Vincent Van Gogh
Head of a Peasant Woman With white Cap - Vincent Van Gogh
Congested coastal waters with a Dutch barge making ready to enter a busy harbour - George Chambers
Congested coastal waters with a Dutch barge making ready to enter a busy harbour - George Chambers