The Inferno, Canto 26, lines 46-49: The guide, who markd How I did gaze attentive, thus began: Within these ardours are the spirits, each Swathd in confining fire. -
Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the severd member, lantern-wise Pendent in hand, which lookd at us and said, Woes me! -
Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. -
Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou beholdst the pleasant land That from Vercelli slopes to Mercabo -
Gustave Dore
The Inferno, Canto 29, lines 4-6: But Virgil rousd me: What yet gazest on? Wherefore doth fasten yet thy sight below Among the maimd and miserable shades? -
Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. -
Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrapd from the bream or fish of broader mail. -
Gustave Dore
The Inferno, Canto 30, lines 33-34: That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite. -
Gustave Dore
The Inferno, Canto 30, lines 38-39: That is the ancient soul Of wretched Myrrha, -
Gustave Dore
A classical landscape with wildfowl - Johannes Bronkhorst
Feeding Donkey - Myles Birket Foster
Noahs Ark 2 - Hans III Jordaens
Untitled - Frederick Stuart Church
A pike coming to the gaff - A. Roland Knight
Allegory of the Scuola di San Marco 2 - Jacopo Tintoretto (Robusti)
Hounds attacking a bull - (after) Philipp Peter Roos
Tygers at Play, engraved by the artist, pub. 1789 - George Stubbs
Before The Monkey Duel - Edmund Bristow