Modern Grace or, The Operatical Finale of the Ballet of Alonzo e caro -
Thomas Rowlandson
A Highlander Black Watch attending a General of Hussars, possibly Lord Uxbridge a study for The Battle of Waterloo -
George Jones
Shooting, plate 2, engraved by William Woollett 1735-85 1770 -
George Stubbs
Chestnut Racehorse Exercised by a Trainer in a Blue Coat -
James Seymour
The Round Course at Newmarket, Preparing for the Kings Plate, c.1725 -
Peter Tillemans
The Ruins, Kew Gardens, plate 15 from Kew Gardens A Series of Twenty-Four Drawings on Stone, engraved by Charles Hullmandel 1789-1850 published 1820 -
(after) Papendiek, George Ernest
A Thatched Cottage and Trees at the Turn of a Country Road -
James Ward
Mambrino, engraved by George Townley Stubbs 1756-1815 pub. 1794 -
George Stubbs
Agropoli, The Temples of Paestum, and the Bay of Salerno -
Dominic Serres
Landscape at Hampstead with Harrow in the Distance, c.1849-55 -
Lionel Constable
Study of the Human Figure, Posterior View, Undissected, Finished Study for Table VII, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl, 1795-1806 -
George Stubbs
Borrowdale, Evening after a Fine Day, October 1, 1806 -
John Constable
The Duke of Ancasters Bay Stallion, Blank, walking towards a Mare -
William Shaw
Vinters in Kent, seat of James Whatman Esq., from Views in Kent, 1800 -
John George Wood
Study of the Human Figure, Posterior View, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl, c.1795-1806 7 -
George Stubbs
The Pilgrimage to Canterbury, engraved by James Heath 1757-1834 and Luigi Schiavonetti 1765-1810 -
Thomas Stothard