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Gustave Dore

Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore
The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore

Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore
Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore

Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore
Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore

Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore
Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore

The Flagellation - Gustave Dore
The Flagellation - Gustave Dore

Isaac Blessing Jacob - Gustave Dore
Isaac Blessing Jacob - Gustave Dore

Jeunes musiciennes des rues - Gustave Dore
Jeunes musiciennes des rues - Gustave Dore

Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore
Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore

"O God of mercy!" heard I sung; (Canto XXV., line126) - Gustave Dore

"Within these ardours are the spirits, each Swathed in confining fire." (Canto XXVI., lines 48-49) - Gustave Dore

to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore

"Oh, senseless spirit! let thy horn for thee Interpret: (Canto XXXI., lines 64-65) - Gustave Dore

The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore

Four stars ne'er seen before (Canto I., line 27) - Gustave Dore
Four stars ne'er seen before (Canto I., line 27) - Gustave Dore

'Surely,' said I, 'surely that is something at my window lattice;	 - Gustave Dore
'Surely,' said I, 'surely that is something at my window lattice; - Gustave Dore

So I beheld united the bright school (Canto IV., line 89) - Gustave Dore
So I beheld united the bright school (Canto IV., line 89) - Gustave Dore

Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore

Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore

Classical figures in an interior - Gustave Dore
Classical figures in an interior - Gustave Dore

Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore
Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore

"He," answer'd I, "who standeth mute beside me. (Canto XIII., line 77) - Gustave Dore

Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore
Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore

And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore
And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore

The War Against Gibeon - Gustave Dore
The War Against Gibeon - Gustave Dore

The Cedars Destined For The Temple - Gustave Dore
The Cedars Destined For The Temple - Gustave Dore



Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

The death of Absalom - William Brassey Hole
The death of Absalom - William Brassey Hole
The Dark Mountains Brecon Beacons - James Dickson Innes
The Dark Mountains Brecon Beacons - James Dickson Innes
The Madonna and Child - (after) Jan (Mabuse) Gossaert
The Madonna and Child - (after) Jan (Mabuse) Gossaert
Venus bringing to life Pygmalion's statue - Neapolitan School
Venus bringing to life Pygmalion's statue - Neapolitan School
Schloss Wilhelmshöhe with the Habichtswald c. 1800 - Johann Erdmann Hummel
Schloss Wilhelmshöhe with the Habichtswald c. 1800 - Johann Erdmann Hummel
Le Carrousel, Matin D'Automne - Camille Pissarro
Le Carrousel, Matin D'Automne - Camille Pissarro
A Tea Garden 2 - George Morland
A Tea Garden 2 - George Morland
Returned from market - Henry Singleton
Returned from market - Henry Singleton
Bearded Man In A Furred Oriental Cap And Robe The Artist's Father - Rembrandt Van Rijn
Bearded Man In A Furred Oriental Cap And Robe The Artist's Father - Rembrandt Van Rijn
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Ordway Prize: The Most Generous Iinternational Art Prizes in the World - Penny McCall Foundation, New York, NY, USA United States of America
Henry Moore: Journey Through Form - Te Papa, Wellington NZ New Zealand (Aotearoa)
Grandma Moses in the 21st Century - San Diego Museum of Art, San Diego, CA, USA United States of America
Alphabet and A to Z: Two Exhibitions Curated by Baltimore's PostTypography and Richmond's The Drama - Lump gallery/projects, Raleigh, NC, USA United States of America
Jeremy Blake: Winchester Trilogy - Art Gallery of York University, Toronto, ON, CA Canada
The Worlds of Nam June Paik - Guggenheim Museum, Bilbao, Bilbao ES Spain
Wayne Thiebaud: A Paintings Retrospective - California Palace of the Legion of Honor, San Francsco, CA, USA United States of America
Chris Humphreys: Woodland Chicken World - Transition, London UK United Kingdom

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