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Gustave Dore

Displaying Page 3 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore
The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore

The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore

The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore

The Pharisee And The Publican - Gustave Dore

The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore

Sarah Bernhardt - Gustave Dore
Sarah Bernhardt - Gustave Dore

'Ecco Homo' - Gustave Dore
'Ecco Homo' - Gustave Dore

Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore

The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore

Moses In The Bulrushes - Gustave Dore

?A stately Raven of the saintly days of yore. - Gustave Dore
?A stately Raven of the saintly days of yore. - Gustave Dore

The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore

The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore

The Destruction of Sodom - Gustave Dore
The Destruction of Sodom - Gustave Dore

The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore

Mary Magdalene - Gustave Dore
Mary Magdalene - Gustave Dore

Christ's Entry Into Jerusalem - Gustave Dore

The Journey To Emmaus - Gustave Dore

The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me: “Say, what ancestors were thine?” - Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me: “Say, what ancestors were thine?” - Gustave Dore

Two Owls - Gustave Dore
Two Owls - Gustave Dore

The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore
The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore

The Inferno, Canto 15, lines 28-29: “Sir! Brunetto! And art thou here?” - Gustave Dore

The Inferno, Canto 5, lines 72-74: 'Bard! willingly I would address those two together coming, Which seem so light before the wind.' - Gustave Dore

The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. - Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. - Gustave Dore

The Judgment Of Solomon - Gustave Dore



Displaying Page 3 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Paintings of the day

The Dream of Orestes - Francois Dubois
Bacchanalia 1890 - Henryk Hector Siemiradzki
The Wife of a Soft Furnisher - Martin Engelbrecht
The Wife of a Soft Furnisher - Martin Engelbrecht
Apparition of The Virgin to St Bernard (detail) 2 - Filippino Lippi
Apparition of The Virgin to St Bernard (detail) 2 - Filippino Lippi
Fishermen Hauling In Their Nets At Sea - George Haquette
Fishermen Hauling In Their Nets At Sea - George Haquette
Tartar Envoys Arriving in Ships Their Advance Party Ashore Momoyama Period - Eitoku Kano
Tartar Envoys Arriving in Ships Their Advance Party Ashore Momoyama Period - Eitoku Kano
Portrait Of The Sayer Family - (after) Johann Zoffany
Portrait Of The Sayer Family - (after) Johann Zoffany
A Signal of Distress or The Christmas Visitor - (after) Newhouse, Charles B.
A Signal of Distress or The Christmas Visitor - (after) Newhouse, Charles B.
Skaters On A Frozen Waterway - Andreas Schelfhout
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Gary Simmons: Wake - Dia Center, New York, NY, USA United States of America
Virtual Galleries: Unlimited Advantages for Patrons and Artists - the Living Artist Gallery, Tacoma, WA, USA United States of America
MY EYES KEEP ME IN TROUBLE: Touring Group Exhibition Organized by CCNOA Brussels - Physics Room, Christchurch NZ New Zealand (Aotearoa)
CLUBS OF BAMAKO - RICE UNIVERSITY ART GALLERY, Houston, TX, USA United States of America
Minneapolis Print and Drawing Fair - Minneapolis Institute of Arts, Minneapolis, MN, USA
The Spanish Portrait from El Greco to Picasso - Museo del Prado, Madrid ES Spain
Thomas Weaver: Punchlist - University of Richmond Museums, Marsh Gallery, Richmond, VA, USA United States of America
INSTRUMENTAL: An exhibition of Australian luthiers - Craft Victoria, FITZROY, VI, AU Australia

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