The Inferno, Canto 23, lines 92-94: Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art. -
Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wingd with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. -
Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Lookd on exclaiming: Ah, how dost thou change, Agnello! -
Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who markd How I did gaze attentive, thus began: Within these ardours are the spirits, each Swathd in confining fire. -
Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the severd member, lantern-wise Pendent in hand, which lookd at us and said, Woes me! -
Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. -
Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou beholdst the pleasant land That from Vercelli slopes to Mercabo -
Gustave Dore
The Inferno, Canto 29, lines 4-6: But Virgil rousd me: What yet gazest on? Wherefore doth fasten yet thy sight below Among the maimd and miserable shades? -
Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. -
Gustave Dore
An Infantryman Drawing His Sword - Jacob Mathias Weyer
Putto with a red flower - Paolo Veronese (Caliari)
Diana and Endymion a bozzetto - Francesco Fontebasso
An Allegory of Painting - French School
Zephyr And Flora - Pierre-Jacques Cazes
Galatea - (after) Francois Boucher
Musical Angels with a Cymbal and a Harp - Jacopo d'Antonio Negretti (see Palma Giovane)
Satyrs and warriors threatening a bound captive - Gaspare Diziani
Abundance, 1719 - Jean-Baptiste Oudry