Order as handmade oil painting The Inferno, Canto 18, lines 116-117: Why greedily thus bendest more on me, Than on these other filthy ones, thy ken? - Gustave Dore |
 |
This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.
This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.
 Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.
|
|
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answerd her doting paramour that askd, Thankest me much! -
Gustave Dore
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doomd -
Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks -
Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; Thou art caught. -
Gustave Dore
The Inferno, Canto 22, lines 137-139: But the other provd A goshawk able to rend well his foe; And in the boiling lake both fell. -
Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reachd to the lowest of the bed beneath, When over us the steep they reachd -
Gustave Dore
The Inferno, Canto 23, lines 92-94: Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art. -
Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wingd with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. -
Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Lookd on exclaiming: Ah, how dost thou change, Agnello! -
Gustave Dore
A Standing Male Figure, Seen From Behind, Clutching A Stone In His Right Hand - Pier Francesco Mola
The Fall of Adam and Eve - (after) Holbein the Younger, Hans
Three Children With Fruit And A Jaguar - Gerrit Van Honthorst
The Death of Adam, detail of Adam and his Children - Piero della Francesca
The Slave trade - Theodore Gericault
The Last Judgment c. 1435 - Stefan Lochner
Untitled - Francesco de' Rossi (see Salviati, Cecchino del)
The Wedding of Bacchus and Ariane - Hendrik van Balen, I
Study Of A Twisting Male Nude - Domenico Tintoretto (Robusti)
The Inferno, Canto 18, lines 116-117: Why greedily thus bendest more on me, Than on these other filthy ones, thy ken? - Gustave Dore
